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Music Reviews
Music Review: Waxahatchee’s alt-country soars, finds joy in simple things on ‘Tigers Blood’
The indie artist Waxahatchee, known for her gut-wrenching alt-country, demonstrates mastery of her craft on her sixth studio album, “Tigers Blood.”
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Music Review: Bass duets by genre-defying virtuosos Christian McBride and Edgar Meyer swing, rumble
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Music Review: Justin Timberlake returns on nostalgic ‘Everything I Thought It Was’
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Music Review: Kacey Musgraves’ ‘Deeper Well’ trades country-pop hooks for deep, folk-y meditation
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Music Review: Ariana Grande triumphs over heartbreak on seventh studio album, ‘eternal sunshine’
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Music Review: Bleachers edge past The Boss as Jack Antonoff finds a new sort of peace
Self-titled albums are the traditional way for a musical act to introduce themselves. So what are we to make of Bleachers’ fourth and self-titled album?
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Music Review: Judas Priest shows you don’t have to be young to be fast with ‘Invincible Shield’
If you think Judas Priest is a bunch of past-their-prime old geezers, you’ve got another thing coming.
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Music Review: Faye Webster’s indie ‘Underdressed at the Symphony’ journeys through a lifetime
Faye Webster, known for her thoughtful blend of indie rock, folk and country, has a new full-length album out: “Underdressed at the Symphony.”
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Music Review: Ex-Kiss guitarist Ace Frehley is back with another great solo album
No shock here: Ace Frehley has still got the power.
The former Kiss guitarist whose vocal debut came on 1977’s “Shock Me” is back with “10,000 Volts,” a new solo album that’s crackling with energy and personality.
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Music Review: MGMT’s ‘Loss of Life’ is a nostalgic return full of hope and heart
MGMT is back with its fifth studio album. The American rock band is perhaps best known for its indie sleaze anthems like “Kids” and “Time to Pretend.”
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Music Review: Jennifer Lopez returns to her pop music throne with new album, ‘This Is Me... Now’
On “This Is Me....Now,” Jennifer Lopez’s first solo album in a decade, the singer takes back her rightful place on the throne of pop music.
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Music Review: Swedish pop singer Zara Larsson’s ‘Venus’ imparts wise and caring lessons of love
While February is all about sugary feelings, Swedish pop singer Zara Larsson celebrates every heart-broken fan on her fourth album, “Venus.”
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Music Review: Declan McKenna’s ‘What Happened to the Beach?’ is a warped, pop sonic adventure
British pop singer-songwriter Declan McKenna is back with his third studio album, the bright “What Happened to the Beach?”
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Music Review: New album by Pylon Reenactment Society revives Pylon’s style of funky art punk
Generations of bands and trends have come and gone since the group Pylon’s heyday as a rock influencer.
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Music Review: Giorgi Mikadze Trio builds engaging musical bridge linking jazz to Eastern Europe
A new jazz album from the Giorgi Mikadze Trio is titled “Face to Face: Georgian Songbook Vol. 1.” Mikadze is a native of the country of Georgia, and “Face to Face” is his first record leading a traditional piano jazz trio.
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Music Review: Paul McCartney and Wings’ release bare bones ‘Band on the Run’ on 50th anniversary
Sometimes less is more. The Associated Press’ Scott Bauer writes that is the thought behind Paul McCartney and Wings’ “Band on the Run (Underdubbed).”
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Music Review: Katy Kirby sings a sweet ode to her first queer relationship in ‘Blue Raspberry’
Brooklyn-based indie singer-songwriter Katy Kirby has returned for her second studio album. Titled “Blue Raspberry,” the release chronicles new discoveries in her first queer relationship.
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Music Review: Green Day are once again political pop-punk ‘Saviors’ on new album
Throughout the Grammy Award-winning pop-punk band Green Day’s career, targets of their musical ire have always been the same: war, systemic issues, political pundits.
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Music Review: Folk singer Willi Carlisle’s album about life in the hills and hollers is a wild ride
Willi Carlisle’s folk music focuses on the folks in the shadows of the hills and hollers, or, as he calls it, “Critterland.”
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Music Review: A sweet and savory mostly acoustic mix from Avery Hellman’s ISMAY on ‘Desert Pavement’
Avery Hellman is the rural California singer-songwriter behind the musical moniker ISMAY and the new album “Desert Pavement.”
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Music Review: Tour through Dire Straits’ live output with new box set spanning 1978-1992
Dire Straits may be best known for their No. 1 song “Money for Nothing” that came from their chart-topping 1985 album, “Brothers in Arms.”
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Music Review: Kali Uchis creates a languid, lush world of the divine feminine on ‘Orquídeas’
On her fourth studio album, titled “Orquídeas” (“Orchids” in English), Colombian American singer Kali Uchis’ ability to create lush sonic worlds reaches new heights.
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Music Review: Neil Young’s ‘Before and After’ offers one continuous stream of rarities
Leave it to Neil Young to give streaming songs a whole new meaning with “Before and After.” The Associated Press’ Scott Bauer writes that Young delivers reinventions of 13 deep tracks as one continuous piece of music, with no breaks, over 48 minutes on his latest release.
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Music Review: Violent Femmes debut, a cult favorite, turns 40 with an expanded new edition
To celebrate 40 years since the release of their self-titled debut, the spirited acoustic punk band Violent Femmes have prepared a new deluxe edition, out Friday.
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Review: War is good as 50th anniversary of ‘The World Is a Ghetto’ shines in premium box set
On Friday, a reissue box set of WAR’s “The World Is a Ghetto” arrives. The Associated Press’ Ron Harris writes in a review that the nicely packaged rendition of the band’s best-selling album includes bonus tracks as well as entire LP sides of WAR working through some of its best known songs, such as
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Music Review: New live jazz album of 1964 performances by Bill Evans trio sings and swings
A new album from the late jazz pianist Bill Evans features previously unreleased recordings from his first European tour.
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Music Review: Now on vinyl, Shania Twain’s ‘Greatest Hits’ shines anew
Shania Twain is familiar with the concept of a hit. Her 2004 “Greatest Hits” album sold more than half a million copies in its first week alone.
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Music Review: Bob Dylan’s ‘The Complete Budokan 1978' box set is a welcomed release, flute and all
Bob Dylan with flute and saxophone isn’t for everyone. The Associated Press’ Scott Bauer says that’s what you get with “The Complete Budokan 1978,” a box set collected from a period that some have derided as “Dylan going Vegas.”
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Music Review: On ‘Heaven Knows,’ Internet pop sensation PinkPantheress provides IRL charms
Internet pop sensation PinkPantheress will release her debut full-length album on Friday, titled “Heaven Knows.”
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Music Review: Todd Snider’s great ‘Crank It, We’re Doomed’ finally arrives after 16 years in the can
Todd Snider recorded the album “Crank It, We’re Doomed” in 2007 before shelving it. Much of the material subsequently surfaced elsewhere and will be familiar to fans when “Doomed” is finally released Friday.
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Music Review: Cat Power replicates Bob Dylan’s infamous 1966 electric concert, without the boos
“Cat Power Sings Dylan: The 1966 Royal Albert Hall Concert” is a faithful recreation of Bob Dylan’s infamous concert, from the tour where he played electric guitar for the first time.
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Music Review: BTS member Jung Kook’s solo debut, ‘Golden,’ is no-skip pop bliss
Jung Kook, the youngest member of the K-pop group BTS, has released his triumphant debut solo album.
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Music Review: Chinese boy band WayV prove their mettle with second album ‘On My Youth’
Chinese boy band WayV forage their own path on their highly anticipated sophomore album, “On My Youth.”
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Music Review: Taemin is back with another sultry K-pop EP, his fourth mini album ‘Guilty’
Taemin, the prince of gritty K-pop, is back with a stunning 4th mini album, “Guilty.” It is his first since finishing his mandatory military enlistment in the South Korean army.
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Music Review: The Mountain Goats go big on ‘Jenny from Thebes,’ a sequel to an old favorite
On the Mountain Goats’ 22nd album “Jenny from Thebes,” the full band flexes its muscle with a record that at times sounds like Broadway, writes the Associated Press’ Michael Casey.
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