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‘Furiosa,’ the follow-up to ‘Mad Max: Fury Road,’ will premiere at Cannes Film Festival
“Furiosa: A Mad Max Saga,” George Miller’s eagerly awaited follow-up to “Mad Max: Fury Road,” will make its world premiere at the Cannes Film Festival in May.
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Movie Review: ‘Ghostbusters: Frozen Empire’ clears a low bar
Forty years after “Ghostbusters” and following a string of sequels that never measured up to the original it’s fair to wonder, well, who else ought we to call?
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‘Civil War,’ an election-year provocation, premieres at SXSW film festival
“Civil War,” Alex Garland’s election-year provocation, debuted at the SXSW Film and TV Festival, unveiling a violent vision of a near-future America at war with itself.
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‘The Fall Guy,’ a love letter to stunt performers, premieres at SXSW
Coming nearly straight from the Oscars with a truck full of Kenergy, Ryan Gosling and Emily Blunt rolled into South By Southwest to premiere “The Fall Guy,” an affectionate, action-fueled ode to stunt work and the dedicated professionals that throw their bodies into filmmaking.
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Emma Stone won, but Lily Gladstone didn’t lose
The Academy Awards were full of sure-things, long-awaited anointments and easy predictions. That puts even more focus on the category that was hardest to call: best actress.
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‘Kung Fu Panda 4' opens No. 1, while ‘Dune: Part Two’ stays strong
As Universal Pictures prepared for a big night at the Academy Awards with “Oppenheimer,” the studio also celebrated the No. 1 debut of “Kung Fu Panda 4,” which collected $58.3 million in domestic theaters over the weekend.
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‘Oppenheimer’ crowned best picture at an Academy Awards shadowed by war
“Oppenheimer,” a solemn three-hour biopic that became an unlikely billion-dollar box-office sensation, was crowed best picture at a 96th Academy Awards that doubled as a coronation for Christopher Nolan.
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Who will win at the Oscars? See full predictions from AP’s film writers
Ahead of Sunday’s Academy Awards, Associated Press Film Writers Jake Coyle and Lindsey Bahr are offering their complete list of predictions.
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Who will win at the Oscars? See full predictions from AP’s film writers
Ahead of Sunday’s Academy Awards, Associated Press Film Writers Jake Coyle and Lindsey Bahr are offering their complete list of predictions.
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The Oscars haven’t done this in a long time
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Movie Review: ‘Love Lies Bleeding’ is peak Kristen Stewart
Muscles ripple, veins pop and electronic music throbs in “Love Lies Bleeding,” a heaving, hyper-sexy neo-noir drenched in sweat, blood and bug guts, writes Associated Press Film Writer Jake Coyle in his review.
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Best cameo? Best hat? Ahead of the Oscars, AP hands out its own awards
The Academy Awards honor many things in movies but not some of the most important. Ahead of Sunday’s Oscars, AP Film Writers Lindsey Bahr and Jake Coyle make selections for their own awards.
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Jimmy Kimmel is hosting the Oscars again. This time, it’s an election year
Through one of the most tumultuous periods in Oscar history, through flub and slap, Jimmy Kimmel has emerged as the steadying hand and abiding face of the Academy Awards.
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Movie Review: The colossal melancholy of Ceylan’s ‘About Dry Grasses’
Nuri Bilge Ceylan makes long films, by movie standards, but short ones by Russian literature standards.
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What will win at the Oscars? AP’s film writers set their predictions
It’s been a stellar year in film, and not just because of the convergence of “Barbie” and “Oppenheimer” and their release dates.
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We may be living in the golden age of older filmmakers. This year’s Oscars are evidence
Old age may be debated as a liability on the presidential campaign trail, but it’s not at this year’s Oscars.
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‘Oppenheimer’ wins the top prize at 2024 Screen Actors Guild Awards
“Oppenheimer” continued to steamroll through Hollywood’s awards season on Saturday, winning the top prize, along with awards for Cillian Murphy and Robert Downey Jr., at the 30th Screen Actors Guild Awards.
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Inside the enduring movie homes of Jack Fisk, production design legend
The legendary production designer Jack Fisk has for half a century been building some of the most indelible homes and structures of movies.
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Movie Review: ‘Dune: Part Two’ sustains the dystopian dream of ‘Part One’
Denis Villeneuve’s “Dune: Part II” is almost as intoxicating as “Part One.” Like its predecessor, “Part Two” thrums with an intoxicating big-screen expressionism of monoliths and mosquitos, fevered visions and messianic fervor.
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Ethan Coen and Tricia Cooke give sexploitation cinema a queer spin in ‘Drive-Away Dolls’
Ethan Coen and Tricia Cooke’s “Drive-Away Dolls” signifies both the much-awaited return of Coen to narrative filmmaking and the giddy revival of a long-dormant spirit of ’70s B-movie filmmaking.
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Beatles to get a Fab Four of biopics, with a movie each for Paul, John, George and Ringo
The Beatles are getting the big-screen biopic treatment in a Fab Four of movies that will give each band member their own film. All are to be directed by Sam Mendes.
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‘Bob Marley: One Love’ stirs up $27.7M weekend and ‘Madame Web’ flops
Paramount Pictures’ Bob Marley biopic “Bob Marley: One Love” outperformed expectations to debut at No. 1 at the box office with a $27.7 million opening weekend.
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Godzilla, Oscar newbie, stomps into the Academy Awards
Godzilla has been to Tokyo, Hong Kong, Paris, San Francisco, Boston, Moscow, London and Hawaii. But before now, he’s never been to the Oscars.
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Sean Wang made a home movie. Now, he and his grandmothers are going to the Oscars
The 29-year-old filmmaker Sean Wang can’t believe it, himself, but he’s going to the Oscars with his grandmothers.
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Ed Dwight was to be the first Black astronaut. At 90, he’s finally getting his due
It wasn’t until 1983 that the first African American, Guion Bluford, reached space. But two decades earlier, Ed Dwight found himself at a fulcrum of 20th Century American history, where the space race and the struggle for social justice converged.
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Review: ‘Bob Marley: One Love’ doesn’t stir
“Bob Marley: One Love” is a noble but uninspired attempt to capture some of the essence of a monumental musical force.
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Catering to the food movie, ‘The Taste of Things’ serves up a mouthwatering feast
Since before Charlie Chaplin made bread rolls dance in “The Gold Rush,” cinema and cuisine have been as intertwined as the spaghetti of “The Lady and the Tramp.”
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Movie Review: Wim Wenders’ ‘Perfect Days’ is sublime
Wim Wenders’ “Perfect Days” is set among the crowded skyscrapers of Tokyo and the quiet urban parks that Hirayama (Kôji Yakusho) traverses daily in his job cleaning public toilets.
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‘Argylle,’ with checkered reviews, flops with $18M for the big-budget Apple release
Apple has had its first box office flop. “Argylle,” the $200-million star-studded spy thriller from Apple Studios, debuted with $18 million in ticket sales.
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Movie Review: ‘Argylle’ won’t blow your socks off
Criss-crossing patterns of ridiculousness and self-satisfaction run through “Argylle,” a tiresome meta movie that puts an awful lot of zest into an awfully empty high-concept story, writes AP Film Writer Jake Coyle in his review.
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